John: Why are you so focused? Come on, eat your food.
(What am I eating? How did I get here? When did I come downstairs? Who brought me here?)
John: Hey, are you there?
****: Yes, I'm here.
John: Why haven't you eaten anything?
****: I'll eat it, okay.
Our character starts eating.
(What was I doing just now? Wasn't I questioning myself? Am I remembering incorrectly?)
(I'm having a hard time understanding myself.)
(Is the theory that other parts of my brain control me really true?)
(Oh, am I really the character?)
(Do you think I'm living in a reality right now, or are you watching me in a movie theater, while I'm the main character in a movie?)
(I don't know what I'm experiencing, who's controlling me; I don't actually know anything about myself.)
(I need to skip the pointless questioning scenes in order to continue; otherwise I'll have more problems.)
(First, I need to make a plan. Rafael Voss will be released from prison soon. I mustn't let him out.)
(I need to send an e-mail to someone named Leonardo right away, because I still don't know exactly who he is.)
(Was the Leonardo I talked to in the camp the same person I'm talking to now? Why can't I remember anything? Is there something controlling parts of my brain that is making me remember? (Ah, never mind; I may have to send an email right away to sort everything out.)
Sarah: Come on, get up from the dinner table.
****: Okay, Mom.
(I feel like my inner thoughts are blocking my progress in my physical life.)
Our character goes to his room and turns on his computer.
(So, what should I write? Should I say "Are you a dirty liar?" or just a simple "What's going on?")
(I'm in a dilemma again; life always leaves you with dilemmas. I notice the same thing in coding; there are always two options. In life, if you ask me, it's like this: For example, you have to choose between three colors. I say three because if there were only two, you would easily understand it. So you choose one of three colors, let's say purple. Yes, there are three options, but in terms of the color purple, you either choose purple or you don't. This is the case everywhere in life; you either go to school or you don't.)
(It may be a little complicated, but what I'm trying to say is that there are always two options in life.)
(I need to think about the email a little bit, but I have to be quick.)
Our character is thinking about the email.
(I think I figured out what to write.)
Email:
Leonardo or whatever your real name is, it's not hard to guess that this is not your real name. I don't know how you found me, but I know you know something. I know Rafael Voss was released, and I know there's something behind it. If you still have a plan, you should say it right away. No need to be secretive. I never felt like I had it with Justice Community. I never did.
(I think this email will be enough. If I get a quick response, we can tailor the plan accordingly.)
Our character sends the email.
(Oh, I hope we make it.)